Troll Ending Explained: What Does The Monster’s Conclusion Mean?

Troll Ending Explained: A movie made for the large screen is “Troll.” Shamefully, we see this enormous and brilliant work of Roar Uthaug’s film on our computers, desktops, or televisions. It is one of the best Kaiju movies ever made, so if you can do so, watch it on the giant screen and loudest sound system you can find to fight Netflix’s anti-cinema position.

Let’s talk about the movie itself now that that is over. The story opens with a young Nora and her father, Tobias, ascending a hill and seemingly seeing enormous Trolls incorporated into the mountainous landscape. We learn that Nora has become a paleobiologist 20 years later and is currently studying fossils in Northwestern Norway along the Atlantic Coast.

Demolition work in the Dovre Mountains in Hjerkinn awakens a gigantic beast that kills both the workers and the activists as she makes a momentous discovery. When Nora is asked to look into the situation, she finds that the more she learns, the more likely it is that her father’s “fairytales” are real.

Troll Ending Explained: What Does The Monster’s Conclusion Mean?

Governments are inherently hostile to humans. As a result, they choose to flee Oslo and attack the Troll with nuclear weapons before he gets there. In contrast, because Rikard Sinding’s name appears in Tobias’ diary, Nora and Andreas investigate him. Andreas claims that Sinding resides in Lord Chamberlain’s palace.

His father’s last words, according to Nora, were “Palace,” “Home,” and “King.” When they arrive at the palace, Sinding leads Nora and Andreas to a cavern underneath the ground that is stocked with enormous bones. The Royal Palace was erected on top of the cave where the King of the Trolls (the man that wanders across Norway) supposedly lived.

Both in 1920 and then again 12 years later, Tobias came very close to finding it. Therefore, Sinding essentially acknowledges that the royals destroyed Tobias’ life and fried his head for no one to accept what he has seen. According to Sinding, during Norway’s conversion to Christianity, Olav the Holy exterminated anything incompatible with the new religion, including trolls.

Troll Ending Explained
Troll Ending Explained

He then killed the Mountain King’s family by setting up a trap for the Trolls. At the start of the movie, we first encounter the King, and Olav kept one alive to entice him into the Dovre mountains before imprisoning him there. Another Troll is seen waking up during the movie’s mid-credits, which proves that it is the King’s child.

What will it accomplish? My best bet is that it will get revenge for the loss of its father. How did its father pass away? Nora acknowledges that the trolls do become stone under UV light. She, therefore, requests that Kris set up a large number of UV lights, which they will use on the King.

Nora and Andreas take one of the skulls, fasten it to a minivan, and force the Troll to chase it until they reach their goal of enticing him to that location. While everything is going on, Sigrid, Andreas’ “Star Trek”-obsessed coworker, gains access to the Defense Department’s computer network to disable the plane’s nuclear launch.

Sigrid narrowly avoids the nuclear strike for a brief period, and Nora, Andreas, Kris, and the rest of their crew can catch the Troll in the UV rays. Nora, however, stops it and begs the Troll to return to the mountains as the creature’s skin starts to sizzle. Sadly, the sun rises in Norway before he can act, turning the Troll into stone. He collapses to the ground after falling to his knees.

After sharing a touching moment with it, Nora decides to call the mountain he has built “Tobias Boulder.” Tobias was the only person who believed in the Trolls when no one else did, so it’s an excellent way to honor the character. Only he attempted to treat him gently; everyone else regarded him as a danger.

Furthermore, the Mountain King’s demise indicates that his trip would have come to an end when he would have walked out into the sun. No one needed to use any form of violence. More importantly, if people had just used the natural routes for communication rather than chiseling through the surface of the earth, all this havoc could have been averted. We can only hope that the Norwegians in the movie will take action now that they have learned their lesson the hard way.

The Troll Represents Anti-Christianization Sentiments

Tobias brings up the Troll’s ability to detect Christians and devour them during a nocturnal attack. The idea gets lost when the army starts attacking the thing because it is absurd. This scene proves that watching the movie on a big screen was the right choice. The VFX and CGI are flawless.

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You might not remember that Uthaug genuinely intends to stay to the lore because of the color, cinematography, sound design, editing, special effects, and action choreography, which are all so damned great. That is why you wouldn’t anticipate the Troll to pick out the soldier wearing a crucifix and eat him exclusively when the heroes cower next to him while pleading with the Lord for protection.

But he does that. When he approaches Tobias, he doesn’t hurt him. When the army begins firing at him, he accidentally kills him. Nora, Kris, and the others utilize church bells mounted on helicopters to fight the Troll because he despises Christianity. That shifts gears once more. The Troll dispels notions of being disruptive or anti-Norwegian by saving a boy and his father from a falling helicopter.

According to John Lindow, Christianity is not the most popular religion among trolls in Scandinavian culture. That explains why they are not present in areas where there are churches since they dislike the sound the bells make. Because of this, the Trolls are said to have damaged churches by tossing rocks and stones nearby. Many people attribute any sizable rock formation to the Trolls.

Christianization took place between the eighth and the twelfth centuries in Scandinavia and other Nordic and Baltic nations. According to historians, no foreign governments forced it upon the Scandinavians. Instead, the kings of that time happily accepted it. However, to create room for Christianity, these kings did demolish pagan temples, which sparked uprisings.

Up until the end of the 18th century, paganism waxed and faded. Therefore, even though Christianity is Norway’s most popular faith, it appears that the Troll symbolizes that ancient pagan past. He opposes the merger of non-Christian, pagan, and atheist Norwegians with those who have converted to Christianity for this reason.

However, the efforts of Nora and the others to persuade him to flee to the mountains demonstrate that the Troll’s anti-Christianization emotions are no longer valid. Yes, there is a history of anti-Semitism, slavery, and violence among Christians. However, since racism is probably nonexistent in Norway, the Troll may end up inciting it there.

You can see the trailer below:

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